In west London, Knightsbridge, born and raised. In the agencies we spent most of our days...


About Echo Music Licensing

So we are a non-exclusive music licensing company. Just the same as many many others, but what does “non-exclusive” really mean? Well the big plus-side of being non-exclusive is that you can literally get your music out there, to anyone. You can register with as many of us non-exclusive companies as you like, and they all give you a great platform to promote your music to advertising agency creatives & producers and music supervisors for TV & Film yourself. This is without doubt fantastic. It means you can literally put your songs and repertoire in many many places and have many many many good and wonderful people suggesting your music to other supervisors and agencies.

So as an artist (which our clever web-algorithm has detected you are!!) there's really no reason not to sign with us whilst awaiting that gold plated shiny record deal from the majors. Even if we were really bad. Like truly awful, only landed one digital sync a year, type bad. Thats still a measley 80 GBP you're still in the running for ;) HOWEVER, lets talk a very briefly about how wonderful we actually are. Three headlines as follows; We're totally open, you can see our licensing model and whre the money goes, split between A&R, Catalogue & Review and our Creative Partners who have relationships with the movers and shakers in the music supervision world, top ad agencies and cutting edge trailer houses.You can leave at any time, and our simple licencing agreement clearly outlines how there is no delay in removing your music from contention (with the exception of your music being actually under consideration) and thirdly, through our "Matrix Licensing System" you set your own prices and on what media. Even on a per-song-basis, so you can have a range to suit the many but cheap client base without devaluing your premium works. Bottom line, with Echo you're in complete control. We started as a collective of musicians ourselves and so have artist rights at the heart of everything we do. Use us to get where you want to go and start gettign your music discovered today.



Sarah French

Head of C&R

Catalogue and review is at the CORE of what we do. How do we let the cream float to the top at the same time as providing social proof to our clients? Ask Sarah.


Neil Hudson

Head of A&R

Where ever you are... What ever music you make... Neil's people will find you. Neil's history of playing virtually every instrument, in virtually every type of band has him uniquely placed to educate on what to look for in the realm of undiscovered talent.


Bryan Walters

Head of Legal

After a star studded & dubious past, hanging with The Who and The Stones, Bryan grew tired of hurling bin liners of water out of five star hotel windows to make "upside down rain" and decided to clear the paper on music deals keeping everything "street-legal".


Dan Cross


Dan's no stranger to pushing pixels round a screen, pushing notes around a cubase grid-edit window or pushing the boundaries of what's possible with dynamic floating point cubic space music categorisation technology. After years in the industry making music search systems work for the Major Four, he's decided to create his own system here at Echo. Just don't be surprised if it becomes self aware at some point in the near future and starts killing all humans.


Rating Music 80%
Pairing Artists Together 60%
Winning Licensing Opportunities 90%
Discovering Artists 65%
Distributing Fairly 70%
Getting Down 85%



About Echo Music

Music licensing, creative supervision, we are the discovery platform for breaking artists. What's different about us? We're a community and as such use crowd-sourcing technology to ensure precision curation of our catalogue. Using an ever evolving vocabulary of music, all our songs are rated and reviewed not just once, but over and over, and by genre specialists. Giving us a highly curated & quickly accessible catalogue.

Latest Tweets